{"id":1237,"date":"2021-11-01T21:42:00","date_gmt":"2021-11-01T20:42:00","guid":{"rendered":"https:\/\/xtramagazine.it\/?p=1237"},"modified":"2021-11-29T17:36:25","modified_gmt":"2021-11-29T16:36:25","slug":"maurizio-cattelan","status":"publish","type":"post","link":"https:\/\/xtramagazine.it\/it\/maurizio-cattelan\/","title":{"rendered":"Maurizio Cattelan"},"content":{"rendered":"<h2 class=\"wp-block-heading\"><strong>Breath Ghosts Blind<\/strong><\/h2>\n\n\n\n<p>Immagini iconiche, linguaggio visivo pungente e capacita\u0300 di far nascere accesi dibattiti, questo e\u0300 Maurizio Cattelan e questo e\u0300 il suo modo per invitare lo spettatore a cambiare punto di vista e a riconoscere la complessita\u0300 e l\u2019ambiguita\u0300 del reale. Pirelli HangarBicocca presenta dal 15 luglio 2021 al 20 febbraio 2022 la mostra personale di Maurizio Cattelan \u201cBreath Ghosts Blind\u201d. Il progetto espositivo portera\u0300 all\u2019attenzione del pubblico, attraverso una rappresentazione simbolica del ciclo della vita, una visione della storia collettiva e personale sempre in bilico tra speranza e fallimento, materia e spirito, verita\u0300 e finzione. A cura di Roberta Tenconi e Vicente Todoli\u0301, la mostra personale \u2018Breath Ghosts Blind\u2019 si sviluppa in una sequenza di atti distinti che affrontano temi e concetti esistenziali come la fragilita\u0300 della vita, la memoria e il senso di perdita individuale e comunitario. Il progetto sitespecific dell\u2019esposizione in Pirelli HangarBicocca mette in discussione il sistema di valori attuale, tra riferimenti simbolici e immagini che appartengono all\u2019immaginario collettivo. <a href=\"http:\/\/pirellihangarbicocca.org\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>pirellihangarbicocca.org<\/strong><\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan-1024x682.jpg\" alt=\"\" data-id=\"1239\" data-full-url=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan.jpg\" data-link=\"https:\/\/xtramagazine.it\/?attachment_id=1239\" class=\"wp-image-1239\" title=\"\" srcset=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan-1024x682.jpg 1024w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan-300x200.jpg 300w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan-768x512.jpg 768w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan-1536x1024.jpg 1536w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan.jpg 1700w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">La Nona Ora, 1999, Palazzo Reale, Sala delle Cariatidi, Milano, 2010, photo: Zeno Zotti.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"667\" height=\"1000\" src=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan2.jpg\" alt=\"\" data-id=\"1238\" data-full-url=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan2.jpg\" data-link=\"https:\/\/xtramagazine.it\/?attachment_id=1238\" class=\"wp-image-1238\" title=\"\" srcset=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan2.jpg 667w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan2-200x300.jpg 200w\" sizes=\"(max-width: 667px) 100vw, 667px\" \/><figcaption class=\"blocks-gallery-item__caption\">Il ritratto dell'artista Maurizio Cattelan.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"667\" height=\"1000\" src=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan5.jpg\" alt=\"\" data-id=\"1242\" data-full-url=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan5.jpg\" data-link=\"https:\/\/xtramagazine.it\/?attachment_id=1242\" class=\"wp-image-1242\" title=\"\" srcset=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan5.jpg 667w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan5-200x300.jpg 200w\" sizes=\"(max-width: 667px) 100vw, 667px\" \/><figcaption class=\"blocks-gallery-item__caption\">ALL, 2011, photo Zeno Zotti, The Solomon R. Guggenheim Foundation, New York.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"1000\" src=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan3.jpg\" alt=\"\" data-id=\"1240\" data-full-url=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan3.jpg\" data-link=\"https:\/\/xtramagazine.it\/?attachment_id=1240\" class=\"wp-image-1240\" title=\"\" srcset=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan3.jpg 667w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan3-200x300.jpg 200w\" sizes=\"(max-width: 667px) 100vw, 667px\" \/><figcaption class=\"blocks-gallery-item__caption\">ALL, 2011, photo Zeno Zotti, The Solomon R. Guggenheim Foundation, New York<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"1000\" src=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan6.jpg\" alt=\"\" data-id=\"1243\" data-full-url=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan6.jpg\" data-link=\"https:\/\/xtramagazine.it\/?attachment_id=1243\" class=\"wp-image-1243\" title=\"\" srcset=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan6.jpg 750w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan6-225x300.jpg 225w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><figcaption class=\"blocks-gallery-item__caption\">Untitled, 2004, photo Attilio Maranzano.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"1000\" src=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan4.jpg\" alt=\"\" data-id=\"1241\" data-full-url=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan4.jpg\" data-link=\"https:\/\/xtramagazine.it\/?attachment_id=1241\" class=\"wp-image-1241\" title=\"\" srcset=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan4.jpg 798w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan4-239x300.jpg 239w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan4-768x962.jpg 768w\" sizes=\"(max-width: 798px) 100vw, 798px\" \/><figcaption class=\"blocks-gallery-item__caption\">Mother, 1999, photo Attilio Maranzano.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan7.jpg\" alt=\"\" data-id=\"1244\" data-full-url=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan7.jpg\" data-link=\"https:\/\/xtramagazine.it\/?attachment_id=1244\" class=\"wp-image-1244\" title=\"\" srcset=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan7.jpg 1000w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan7-300x200.jpg 300w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2021\/06\/MaurizioCattelan7-768x512.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"blocks-gallery-item__caption\"><br>Untitled, 2009, photo Zeno Zotti.<\/figcaption><\/figure><\/li><\/ul><\/figure>","protected":false},"excerpt":{"rendered":"<p>Breath Ghosts Blind Iconic images, caustic visual language, the ability to spark heated public debate: this is Maurizio Cattelan and his way of inviting the viewer to change perspective and to acknowledge the complexity and ambiguity of reality. From July 15, 2021 to February 20, 2022, Pirelli HangarBicocca presents Maurizio Cattelan\u2019s solo exhibition \u201cBreath Ghosts [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-1237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"_links":{"self":[{"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/posts\/1237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/comments?post=1237"}],"version-history":[{"count":0,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/posts\/1237\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/media\/1239"}],"wp:attachment":[{"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/media?parent=1237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/categories?post=1237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/tags?post=1237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}