{"id":3215,"date":"2022-06-21T09:00:00","date_gmt":"2022-06-21T07:00:00","guid":{"rendered":"https:\/\/xtramagazine.it\/?p=3215"},"modified":"2022-06-23T10:16:39","modified_gmt":"2022-06-23T08:16:39","slug":"joseph-beuys-fine-limbed","status":"publish","type":"post","link":"https:\/\/xtramagazine.it\/it\/joseph-beuys-fine-limbed\/","title":{"rendered":"Joseph Beuys. Finamente articolato"},"content":{"rendered":"<h2 class=\"wp-block-heading\">una mostra a Venezia<\/h2>\n\n\n\n<p>La Galleria di Palazzo Cini, la casa-museo del mecenate Vittorio Cini, riapre al pubblico con la mostra Joseph Beuys. Finamente Articolato, dedicata a uno dei pi\u00f9 importanti artisti del XX secolo.<br>A cura di Luca Massimo Barbero, in collaborazione con\u00a0la galleria Thaddaeus Ropac,\u00a0l\u2019esposizione sar\u00e0 aperta al pubblico fino al 2 ottobre 2022.\u00a0\nNelle sale della Galleria di Palazzo Cini, \u00e8 dunque possibile ammirare una selezione di circa 40 opere dell\u2019artista poliedrico, che considerava l\u2019arte una forza positiva, in grado di attivare un cambiamento sociale e un miglioramento nella vita dell\u2019uomo. \nGi\u00e0 dal nome della mostra si intuisce quale fosse il suo rapporto con l\u2019arte.<\/p>\n\n\n\n<p class=\"has-text-align-right translation-block\"><em>Discover the <a href=\"https:\/\/xtramagazine.it\/it\/museo-fortuny-venice\/\" data-type=\"post\" data-id=\"2252\" target=\"_self\">Fortuny Museum in Venice<\/a><\/em><\/p>\n\n\n\n<p class=\"translation-block\">\u201cFinamente articolato\u201d, infatti, \u00e8 la traduzione di \u201cFine-limbed\u201d, che deriva dal titolo dell\u2019opera principale esposta, Supporto per la schiena di un essere umano finamente articolato (tipo lepre) del XX secolo d.C.\u00a0(Backrest for a fine-limbed person (hare-type) of the 20th Century AD). E le sue opere sono cos\u00ec, acquerelli talmente espressivi da sembrare tridimensionali.\nLa mostra resta aperta fino al 2 ottobre 2022; la Galleria di Palazzo Cini, invece, fino al 21 novembre. (Assia Karaguiozova) <strong><a href=\"http:\/\/www.cini.it\/\" data-type=\"URL\" data-id=\"www.cini.it\/\" target=\"_blank\" rel=\"noopener\">Cini.it<\/a><\/strong><\/p>\n\n\n\n<p class=\"translation-block\">Joseph Beuys. Finamente Articolato<br>Gallerie di Palazzo Cini, Venezia<br>Fino al 2 ottobre 2022<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"768\" height=\"929\" src=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/1Joseph-Beuys-Palazzo-Cini-768x929-1.jpeg\" alt=\"\" class=\"wp-image-3217\" title=\"\" srcset=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/1Joseph-Beuys-Palazzo-Cini-768x929-1.jpeg 768w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/1Joseph-Beuys-Palazzo-Cini-768x929-1-248x300.jpeg 248w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/1Joseph-Beuys-Palazzo-Cini-768x929-1-10x12.jpeg 10w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><figcaption>Supporto per la schiena di un essere umano finamente articolato (tipo lepre) del XX secolo D.C. Foto courtesy Farbanalyse.de<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"769\" src=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/beuys-fine-limbed-1024x769.jpg\" alt=\"\" class=\"wp-image-3218\" title=\"\" srcset=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/beuys-fine-limbed-1024x769.jpg 1024w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/beuys-fine-limbed-300x225.jpg 300w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/beuys-fine-limbed-768x577.jpg 768w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/beuys-fine-limbed-1536x1154.jpg 1536w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/beuys-fine-limbed-16x12.jpg 16w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/beuys-fine-limbed.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Joseph Beuys Zwei Frauen, 1955. Foto Ulrich Ghezzi<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"770\" height=\"1024\" src=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/5Joseph-Beuys-Palazzo-Cini-770x1024.jpeg\" alt=\"\" class=\"wp-image-3219\" title=\"\" srcset=\"https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/5Joseph-Beuys-Palazzo-Cini-770x1024.jpeg 770w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/5Joseph-Beuys-Palazzo-Cini-225x300.jpeg 225w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/5Joseph-Beuys-Palazzo-Cini-768x1022.jpeg 768w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/5Joseph-Beuys-Palazzo-Cini-9x12.jpeg 9w, https:\/\/xtramagazine.it\/wp-content\/uploads\/2022\/06\/5Joseph-Beuys-Palazzo-Cini.jpeg 962w\" sizes=\"(max-width: 770px) 100vw, 770px\" \/><figcaption>Joseph Beuys, Ohne Titel (Senza titolo), ca. 1960, Foto Ulrich Ghezzi<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>an exhibition in Venice The Palazzo Cini Gallery, the house-museum of patron Vittorio Cini, reopens to the public with the exhibition &#8216;Joseph Beuys. Fine-Limbed&#8217;, dedicated to one of the most influential artists of the 20th century.Curated by Luca Massimo Barbero, in collaboration with Thaddaeus Ropac Gallery, the exhibition is open to the public until October [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3218,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-3215","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"_links":{"self":[{"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/posts\/3215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/comments?post=3215"}],"version-history":[{"count":0,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/posts\/3215\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/media\/3218"}],"wp:attachment":[{"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/media?parent=3215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/categories?post=3215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xtramagazine.it\/it\/wp-json\/wp\/v2\/tags?post=3215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}